Saturday, February 28, 2009

... is it worth it? ...


... three poet videos ...



Eileen Myles

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Bernadette Mayer

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Lyn Hejinian, Geoffrey G. O'Brien, John Shoptaw, and Lisa Robertson


... finished Pnin ...


... Aaron Kunin and Girls? ... link ...

... Flannery O'Connor in the NYTimes ... link ...


Breaker

When my words are safe
do I appeal to hieroglyphics
or no?

I should agree that most of this
writing stuff has been done
and I jark in its place

A dream is a sensible
place to lay an egg
and wake up on

And if I care enough to write
about my writing
in my writing

I have a shell I climb
inside when I’m feeling
awkward, shallow, momentary

I consider mostly
your naked body
on top of this

Wondering how I masturbate
when I’m alone
or being selfish

I can guarantee
with almost zero-certainty
I know what I’m talking about

My stare may be vacant
but I pass up margaritas
at my son’s quinceanera.

I can blindfold myself
asking empty questions
like, “Why am I not seeing it?”

It’s no easy task
moping around the desert
like it’s the inside of my shell

I might rather be micing mics
or taking pictures of 1 hour photo
drop-off booths

Near the mall. But it wouldn't
prove my words
safe as effective and meaningful

Friday, February 27, 2009

... the gods look down on us and smile ...


5 MARCH 2009---thursday:

Lunch Poems series presents a poetry reading by Pulitzer Prize-winning poet Gary Snyder, Morrison Library, 101 Doe Library, University of California, Berkeley, free and open to the public, 12:10-12:50 (http://lunchpoems.berkeley.edu)

6 MARCH 2009---friday:

Small Press Traffic presents a poetry reading by Rae Armantrout, Versed, winner of the Griffin Prize and Laura Sims, Practice, Restraint, winner of the 2005 Fence Books Alberta Prize, Timken Hall, California College of the Arts, 1111 8th Street, SF, $5-$10 sliding scale, 7:30 (sptraffic.org)

Studio One Reading Series presents Donna de la Perrière, Joseph Massey, and Jared Stanley, music by Diana McCullough, near MacArthur BART, Studio One Art Center, 365 45th Street, at Broadway, Oakland, 7:30 (www.workingforthecity.blogspot.com)

... well into Pnin ... and coming up next! (maybe) ... into the world of self-reference ...



------------------

... three poet videos ...



Galway Kinnell reads Paul Celan

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Jerome Rothenberg

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Guillermo Verdecchia reads from The Complete Poetry, Clayton Eshleman translating César Vallejo


Wednesday, February 25, 2009

... Sophia Gubaidulina ...




"I am a religious person...and by 'religion' I mean re-ligio, the re-tying of a bond...restoring the legato of life. Life divides man into many pieces...There is no weightier occupation than the recomposition of spiritual integrity through the composition of music."

... if only I was water high ...



Friday 6.5: MTT and Anne-Sophie Mutter
Michael Tilson Thomas
Michael Tilson Thomas
Phyllis C. Wattis Composer Residency

This Friday 6.5 Series concert features the Michael Tilson Thomas's remarks before the complete works are performed. An unparalleled musical evening unfolds with the brilliant Anne-Sophie Mutter in the US premiere of Gubaidulina's Violin Concerto. Enjoy Ravel's charming tribute to noble and sentimental waltzes, an homage to earlier Romantics like Schubert.

Performance Date(s)

Fri, Feb 27, 2009 6:30pm
Davies Symphony Hall
Prices start at $30

... Meister Eckhart ...



"A human being has so many skins inside, covering the depths of the heart. We know so many things, but we don't know ourselves! Why, thirty or forty skins or hides, as thick and hard as an ox's or bear's, cover the soul. Go into your own ground and learn to know yourself there."

------------------------------------------------------

Meister Eckhart's Sermons

I. The Attractive Power of God

II. The Nearness of the Kingdom

III. The Angel's Greeting

IV. True Hearing

V. The Self-Communication of God

VI. Sanctification

VII. Outward and Inward Morality

(the influence on Heidegger is astonishing...)

... three poet videos ...



Kit Robinson

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Elizabeth Robinson

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(my video of) Linh Dinh!!!

... bought? yes ... is this the enemies territory? ... we will see +++ link...


Sunday, February 22, 2009

... BASIL BUNTING ... a lesson for us all! ...



At Briggflatts meetinghouse (1975)


Boasts time mocks cumber Rome. Wren
set up his own monument.
Others watch fells dwindle, think
the sun's fires sink.

Stones indeed sift to sand, oak
blends with saints' bones.
Yet for a little longer here
stone and oak shelter

silence while we ask nothing
but silence. Look how clouds dance
under the wind's wing, and leaves
delight in transience.

... three poet videos ...



Bruce Andrews

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Eugene Ostashevsky!!!

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!!!!MARJORIE PERLOFF!!!!

... currently reading ... for existential pursuits and scholastic enforcement ...















Saturday, February 21, 2009

Trust merit for Christ sake.

The roaring twenties had rear-wheel suspension. Mescaline use was rare.
You could take a rope.
You could take pain like a fingerprint.
If I were to figure out how many ways to satisfy a particular equation,
Would it lead you to me?
Everyone is confused. Even metropolis and utopias have ingredients.


Perhaps, if the saddest cowboy had a marker, he could color himself in.
The instances in which we search for ourselves, maybe.
Tangle the wetness.
Telegraph certainty into a shape, please.
Enhance understanding in which all
Sometimes satisfies.


In a trillionth of a second, regulars appear
Somewhere.
A position can be dealt with with the right.
But satisfaction is something else.
Still, life drawings are something moving too.
Overtly without.


The invitations were sent out. I got mine.
I sent it to a friend who, when I’m not looking,
Cuts pieces and saves them in Lea.
Fall asleep on the couch.
I can’t help to be there. And it feels as if I’m certain.
Probably, I’ll satisfy a lower, and that’s where I stopped.


The roaring thirties fascinate even the most stoic. Grammar was diabolical.
A gram of anything was valuable.
What did they know? In those days.
We left our doors open and unlocked just to prove
That we could. Now, nearly eighty years later
We confuse merit for trust without merit.

Friday, February 20, 2009

... books acquired last night ...










... three poet videos ...



RAE ARMANTROUT!

--------------------------------------------



Charles Bernstein...

-----------------------------------------------



Myung Mi Kim

... Orwell (inspired by the Pynchon introduction which I read again last night) ...



"Good writing is like a windowpane."

... tonight with kindred spirits and poetry ... links ...


Thursday, February 19, 2009

... midterm paper consisting and combining: ... links ...




Wednesday, February 18, 2009

... Sontag ... link: partial text ...

Gay and Lesbian Lit Course; Susan Sontag story; and it brought to mind... the monument:



... three poet videos ...



Robin Blaser!

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ANNE CARSON!

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Christian Bok
(two days...)

... from Clay's blog ... I will be there will hoola hoops on ...

CHRISTIAN BÖK & RACHEL ZOLF
small press traffic
Friday, February 20 @ 7:30pm

Written at the outer edges of procedural restraint, Christian Bök's second book, Eunoia (Coach House Books, 2001), won the Griffin Prize for Poetic Excellence. An acclaimed performer of sound poetry (particularly the Ursonate by Kurt Schwitters), Bök's conceptual artwork, which includes books built out of Rubik's cubes and Lego bricks, has appeared at New York City's Marianne Boesky Gallery as part of the exhibit Poetry Plastique. His first book, Crystallography (Coach House Press, 1994), was nominated for the Gerald Lampert Memorial Award. He has created artificial languages for two television shows: Gene Roddenberry's Earth: Final Conflict and Peter Benchley's Amazon. Bök is currently a professor of English at the University of Calgary.

Rachel Zolf’s most recent poetry collection, Human Resources (Coach House, 2007), won the 2008 Trillium Book Award for Poetry and was shortlisted for a Lambda Literary Award. Her previous collections are Masque (Mercury, 2004) and Her absence, this wanderer (BuschekBooks, 1999, 2009--revised). Chapbooks published are Shoot and Weep (Nomados, 2008), from Human Resources (Belladonna, 2005) and the naked & the nude (above/ground, 2004). Her work appears in the anthology Shift & Switch: New Canadian Poetry and a forthcoming Coach House anthology of Canadian innovative women’s poetry and poetics. She has published and performed her poetry across Canada and the U.S., and her critical essays have appeared in Xcp: Cross-Cultural Poetics, West Coast Line and Open Letter. She was the founding poetry editor of The Walrus magazine and has edited several books by other poets. She is currently the recipient of a Chalmers Arts Fellowship supporting a poetic project on competing knowledges in Israel-Palestine, entitled The Neighbour Procedure.

Monday, February 16, 2009

... three poet videos ...



John Ashbery!

----------------------------------------------



Michael Palmer

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Fanny Howe

... Gadamer ...



"Nothing exists except through language."

... CONTEST ...

SPD's AWP Bad Poem Contest


WIN AN SPD BOOK!!!!

Even if you weren't at the AWP in Chicago, you can win an SPD book in our...

AWP BAD POEM CONTEST


You may think it’s easy to write a bad poem, but is it really? How bad can you be?

SPD will award the SPD book of your choice (up to $30) for the worst poem in each category. Shipping included.

Please select from one of the categories below and write the worst poem you can. Send to laura (at) spdbooksdotorg. Be sure to indicate the category the poem belongs to, and also include your name, email, and address.
  • Worst haiku
  • Worst Language poem
  • Worst workshop poem
  • Worst poem mentioning your mother
  • Worst sonnet
  • Worst poem intended to lead to sex
  • Worst poem using the words rainbow, mist, luminous, crystal, and anemone
  • Worst poem using the word capitalism
  • Worst Flarf poem (Complexly, this poem needs to be good.)
  • Worst poem using chance operations
  • Worst postmodern lyric
  • Worst New Formalist poem
Also, please tell us if you would rather not have your bad poem published on SPD’s blog.

At least one winner will be selected in each category. Contest ends February 20, 2009. Winners will be announced soon after. Poems will be judged by bad poetry experts on the SPD staff.

Sunday, February 15, 2009

... three poet videos ...



C.D. Wright

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Lyn Hejinian

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Dodie Bellamy

Saturday, February 14, 2009

... at the CONTEMPORARY JEWISH MUSEUM ...

New Visions for Contemporary Art
Date/Time:
Thursday, February 19, 2009, 7:00 PM - 8:30 PM Buy Tickets
Appropriate For: Adults
Admission: $5 General/Free for Members and Youth 18 and under Tickets include Museum admission
Contact: Call 415.655.7800 or email info@thecjm.org

About the Program

What is contemporary art in a Jewish context? What is contemporary Jewish art? Fred Wasserman, deputy director for programs, and Dara Solomon, associate curator, will discuss the richness and complexity of these two questions in a conversation with Dan Schifrin, director of public programs.

... reading currently ... link ... don't be fooled by the cheesy layout of her website, this woman is no joke ...



with sentences like:

"The way it was for her to wake up in the morning: The reason you think you have been here is you have been here."

"I once saw a man hook a walking stick around a woman's neck."

... speed ... imperative ... nostalgic in the best sense for moi ... link ...



----------------
The text of Speed:


... readings ...

17 FEBRUARY 2009---tuesday:

A reading by Christian Bök, acclaimed performer of sound poetry whose Eunoia won the Griffin Prize for Poetic Excellence, Mills Hall Living Room, Mills College, 5000 MacArthur Blvd., Oakland, 5:30-7:00 (510/430-3130, 510/430-2236, www.mills.edu)

18 FEBRUARY 2009---wednesday:

D.A. Powell, Chronic, and John Isle, Inverse Sky, read from their poetry, City Lights Books, 261 Columbus Avenue, SF, 7:00 (415/362-8193, www.citylights.com)

25 FEBRUARY 2009---wednesday:


Creative Writing Series presents poet Peter Gizzi, The Outernationale, poetry editor for The Nation, Saint Mary’s College, Soda Activity Center, 1928 Saint Mary’s Road, Moraga, free, 7:30 (www.stmarys-ca.edu/academics/schools/school-of-liberal-arts/departments-programs/mfa-creative-writing/reading-series.html)

... books acquired ...



-----------------------------------------------------



--------------------------------------------------------



----------------------------------------------------



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(Signed, by the way...)
----------------------------------------------------------------



"One of the most original and fascinating books of poetry I have seen in some time. As its strange travelogue format becomes apparent, it begins to seem the fulfillment of these lines from 'Figures of Travel': 'the language which escapes you in one country haunts you in another.' One hears so much about how contemporary poetry has alienated its audience, but this book seems one to which people who read contemporary fiction would be strongly attracted"
-John Ashbery


Friday, February 13, 2009

... on the streets of Berkeley ... right off of Shattuck ... click to enlarge ...






... Gary Lutz: Believe (er) ...

Because of my drastic (sometimes over drastic) antipathy for The Believer magazine I often forget that they occasionally have works of magnitude, like this one:

GARY LUTZ
THE SENTENCE IS A LONELY PLACE
A LECTURE DELIVERED BY THE SHORT-STORY WRITER GARY LUTZ TO THE STUDENTS OF COLUMBIA UNIVERSITY’S WRITING PROGRAM IN NEW YORK ON SEPTEMBER 25, 2008
DISCUSSED: The Forlornities of Life, Overliteral Pronunciation, Books as Props, Books as Reliquaries, The Scrunch and Flump of Consonants, Barry Hannah, Gordon Lish, Abruptions, Narratives of Steep Verbal Topography,Sam Lipsyte, Consummated Language, Christine Schutt, Interior Vowels

... the wonderous MILKHEAD stays in Berkeley and the world is a better place ... LINKs ...



WE ARE PLEASED TO OFFER A LAMP that turns on and off when you clap, when you clap your eyes. A lamp that lets you see in the dark without disturbing the dark. A lamp producing natural light. A lamp that when you clap turns on and on.

-from Ben Lerner's Angle of Yaw (he is not Milkhead, just in case you made the mistake))

... Stanford's opus sold so fast and it was so unexpected that a major second printing is on its way ... !!! ...



This is the way The Battlefield begins:

Tonight the gars on the trees are swords in the hands of
knights the stars are like twenty-seven dancing Russians
and the wind is. . . I am waving goodbye to the casket of
my first mammy well that black cadillac drove right up to
your front door and the chauffeur was death...


(and you will never be the same)

... for reasons that are somewhat peculiar I have more books by Keith Waldrop than by any other author ... And I need another ...



"Keith Waldrop is one of the freshest, strongest poets in our language.Transcendental Studies shows how good he really is. Intelligence and lyricism live together in his work, exalted intellect and sly cunning, playfulness and heartbreak, they all dance together, sometimes with postmodern angularity, sometimes with a sort of Horatian civility. I open the book and read and just want to go on. Waldrop's mastery is not just of the local text, but of that great animal, the book."—Robert Kelly, author of The Book from the Sky

Thursday, February 12, 2009

... a review of a book that I cannot ignore and should not be ignored... the review lacks the whole but it is insightful and funny ... good luck! ...


Wednesday, February 11, 2009

... buy Barnaby Jones #1 ... and wait for #2 which features a little collection by me ...


$5 (includes free US shipping)
Issue 1 Available Now!
Barnaby Jones #1
--------------------------------------------

Barnaby Jones #2

... recently acquired by trade ... and for our wisdom: some moving images ...


If you can find a decent video of a solo violinist performance of the Caprices please send it my way. What I found was atrocious at best.








... COLE SWENSEN ... LINKS! ...

WITH SO MUCH TO READ AND A WANT TO BE EXPOSED TO THAT WHICH IS WORTH READING IT IS ALWAYS A JOY AND A GIFT AND A SURPRISE TO COME ACROSS WORK THAT IS AWE INSPIRING AND WAS RIGHT UNDERNEATH YOUR NOSE. LADIES AND GENTLEMEN (YOU PROBABLY ALREADY KNEW) BUT IF NOT:

COLE SWENSEN



Tuesday, February 10, 2009

Waterboarding

I am months surfing, although pregnant a handful of times.
During first pregnancy I've been non-stop during this.
I guess you’re lax the second time, going surfing included.
This summer, my good friend is due, a few days.
I arranged babysitters.
We hit the water Thursday morning.
This morning I was putting wetsuit on.
Noticed it much tighter.
We paddled out.
I kept thinking.
"A good thing we're longboarding."
I get my knees to paddle, I believe.
How uncomfortable I was! We’re out there.
Talking.
Wondering how much.
Longer Thursday surf session, when another preggie.
As she paddled, by we talk, finding, that she’s, due.
The same week, we are.
She has a few in the water before her board goes into storage.
Other than being uncomfortable, how long?
Your stomach protrudes out.
You think you’re more prone, but is it really?
That much unsafe surfing.
At three months.
Was all you moms.
Out there–did you surf pregnant? Why/why not?

Sunday, February 8, 2009

... currently reading ... and rightly so: together ...

... I hope all my friends are going to have safe trips ... safe trips! ...

2009 AWP Annual Conference
February 11-14, 2009

Conference information:

Take the Survey
After the conference & bookfair,
take the 2009 Survey

In 2009, AWP will bring its annual conference and bookfair back to Chicago, at the Hilton Chicago.

Hilton Chicago
720 South Michigan Avenue
Chicago, IL 60605

Featured Presenters

Event Schedule

Bookfair

For information on sponsoring the 2009 conference,
contact Matt Burriesci at 703-993-4540.

If you have any concerns or questions, please send them to conference@awpwriter.org.

... BOOK ZOO EVENTS !!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!! ...

GHOSTS AND GOBLINS - FRIDAY 2.13.09 - 7:00

Ghosts and Goblins - Jon Carling The Hobo Gobbelins
emerge from the pulsing art vortex of Oakland, Ca., the green-skinned child of punk rock, avant-garde performance art and hobo soul. Drawing on a dizzying array of influences, the band incorporates traditional sounds of Americana and the Old World with the horrors of modernity. Monsters from folklore and fiction wriggle alongside freight-train spirituals and drinking songs. The result is a disturbing haunted house for the ear, a nightmare carnival that is at turns goofy and murderous. Human audiences drink more, dance better, and writhe uncontrollably to goblin beatings- er, beats. Incidentally, audience is the goblin word for “food that screams”.

All the way from LA for one show only . . . Ema and the Ghosts!
"Ema is a girl who would like to make a sound to make a feeling to make a revolution. yes, she understands the unlikelyhood of this daydream being realized but she does not care. she has more important things to worry about."

And,

Campfire
"Mysterious gentlemen from Berkeley, bringing nature to your human. Evoking trees, animals and demons...more than a bonfire... a campfire."

FREE




MALI MCGEE SWIMSUIT BENEFIT - SUNDAY 2.15.09 - 7:00

Author Stehpen Elias A Miss Oakland contestant at Book Zoo? Believe it or not, we will be hosting a benefit to raise money to purchase a new swimsuit for Zoo regular Mali McGee. Things just get weirder here every day!

A festival of fashion, food & frivolty! Live music, poetry, flowing and more.

"I'll be there with sweats on."
-Tim Orchoka

FREE

... just in case you forgot ... big, big, big Leslie at Moe's Books ...

Tuesday, February 10th: Leslie Scalapino & Alicia Cohen

Leslie Scalapino is a well known poet, playright, essayist and editor. Her most recent works are It's go in horizontal, UC Press, Berkeley, 2008, and Day Ocean State of Stars' Night, Green Integer, 2007. She is presently teaching at Mills College.

Debts and Obligations is Alicia Cohen's second collection of poems; her first, Bear, was published by Handwritten Press in 2000. She has also shown work in the visual and performance arts, including a gallery installation and "opera" entitled Northwest Inhabitation Log. She earned her Ph.D. in the Poetics Program at SUNY Buffalo and has taught at Reed College and Portland State University. Presently she lives in Portland, Oregon.

Friday, February 6, 2009

... ? ... link! ...

I don't know exactly what this is but there are two things:
1. Distributed through SPD
&
2. The Title!


PINK CAR CRASH

Itziar Barrio

Publisher: Fly by Night Press


Art. Translated by Zubiaur Eider, Rodriguez Elena, and Passingham David Edgar. "Itziar Barrio's vision is an idiosyncratic and fascinating new visual language utilizing an array of diverse artistic media that serve to reconfigure old and new ideas, semiotics and signifiers, and objects and symbols. In her videos and performances, pinpointed by sensationalist climaxes and bombardments of multilayered information, a non-linear narrative is created through deconstructed elements that are mainly absorbed from the language of pop culture, cinema and mass media. One quick look is not sufficient. We are compelled to go back for more. What remains in our consciousness are the residue and fragments of a new visual code that impress upon our memory and leave us with an unsated, indefinable craving"--Micaela Giovannotti, Art Critic and Curator.

... hero? yes ...



"I knew there were, in myself, the souls of millions of people who lived centuries ago; not just people but animals, plants, the elements, things, even, matter. All of these exist in me."


Wednesday, February 4, 2009

... finally ...



&

"Today could be described as a tired man humming
tunelessly to himself."


Jenny Tunedal



JENNY TUNEDAL:
Poems translated from the Swedish by Rika, TYPO #7

Monday, February 2, 2009

... necessary interview from Free Verse ... link! link! link! ...


Interview with Susan Howe from

Free Verse Archives

FV: What do you see as most vital about the state of contemporary American poetry and what do you see as most troubling—if anything?

SH: Despite our prevailing anti-intellectualism I feel part of an innovative tradition among poets that is very much alive and courageously independent, if you consider the political tragedy and corruption of recent years. This tradition is particularly to be found in small presses, because they haven't entered into the capitalist nexus and dare to do the unexpected. In some ways the Internet has made access to cutting edge work easier because it is easier to locate books on line. I don't care if poets have small audience in terms of this culture's insatiable desire for blockbuster ratings or numbers of Internet hits on a title or author's name. Numbers aren't everything. Some powerful work is quiet and at first may even seem to set up defenses against being approached. Maybe in these noisy bloated times poetry on the page doesn't provide the instant emotional immersion and immediacy of films such as Notre Musique. On the other hand, John Ashbery's splendid new collection Where Shall I Wander has recently been published. Elizabeth Willis is fine-tuning Meteoric Flowers for Wesleyan University Press. The Boston Review prints poems in each issue that are far more intellectually ambitious than poetry I read in in The London Review of Books, or the TLS. Flood Editions, an independent press for poetry and short fiction founded in Chicago in 2001, is thriving. In Berkeley SPD continues its important work, distributing independently-published books around the country and the world. The Library of America edition of Wallace Stevens: Collected Poetry and Prose, edited by Frank Kermode and Joan Richardson is here beside me. By opening it I can rendezvous with my “Interior Paramour.” Through the perfection of sound in his words I approach “those sanctions that are the reasons for his being and for that occasional ecstasy, or ecstatic freedom of the mind that is his special privilege.”

Sunday, February 1, 2009

... David Berman ...



"And I suppose a dead soul must look back at that tree,
so far behind his wagon where it also doesn't matter."

... goodbye Joos ...

Silver Jew Calls

It Quits, Exposes Dad

thumbnail icon: Silver Jew Calls It Quits, Exposes Dad

After twenty years and a half dozen albums (including last year's excellent Lookout Mountain, Lookout Sea) David Berman is apparently hanging up the Silver Jews moniker to focus on other projects. In a post on the SJ forum tonight titled "Silver Jews End-Lead Singer Bids His Well-Wishers Adieu" he announced: "I guess I am moving over to another category. Screenwriting or Muckraking. I've got to move on. Can't be like all the careerists doncha know." Even more surprising is the follow-up missive that begins, "Now that the Joos are over I can tell you my gravest secret. Worse than suicide, worse than crack addiction." That one's called "My Father, My Attack Dog." Here's the text of both.

Silver Jews End-Lead Singer Bids his Well-Wishers Adieu
Hello, my friend.

Cassie and I went to the cave and it looks great. 58 degrees but the humidity makes it feel like 72.

I'm just going to play fifteen songs. My fifteen favorite ones.

A dollar per song. Plus Arnett Hollow. I don't

want to keep you underground for too long. Fall Creek Falls State Park State Lodge is great by the way.

Yes I cancelled the South American shows. I'll have to see the ABC Countries another way.

I guess I am moving over to another category. Screenwriting or Muckraking.

I've got to move on. Can't be like all the careerists doncha know.

I'm forty two and I know what to do.

I'm a writer, see?

Cassie is taking it the hardest. She's a fan and a player but she sees how happy i am with the decision.

I always said we would stop before we got bad. If I continue to record I might accidentally write the answer song to Shiny Happy People.

What, you thought I was going to hang on to the bitter end like Marybeth Hamilton?

love david

This was posted a few hours later:

My Father, My Attack Dog
Now that the Joos are over I can tell you my gravest secret. Worse than suicide, worse than crack addiction:

My father.

You might be surprised to know he is famous, for terrible reasons.

My father is a despicable man. My father is a sort of human molestor.

An exploiter. A scoundrel. A world historical motherfucking son of a bitch. (sorry grandma)

You can read about him here.

www.bermanexposed.org

My life is so wierd. It's allegorical to the nth. My father went to college at Transylvania University.

You see what I'm saying.

A couple of years ago I demanded he stop his work. Close down his company or I would sever our relationship.

He refused. He has just gotten worse. More evil. More powerful. We've been "estranged" for over three years.

Even as a child I disliked him. We were opposites. I wanted to read. He wanted to play games.

He is a union buster.

When I got out of college I joined the Teamsters (the guards were union organized at the Whitney).

I went off to hide in art and academia.

I fled through this art portal for twenty years. In the mean time my Dad started a very very bad

company called Berman and Company.

He props up fast food/soda/factory farming/childhood obesity and diabetes/drunk driving/secondhand smoke.

He attacks animal lovers, ecologists, civil action attorneys, scientists, dieticians, doctors, teachers.

His clients include everyone from the makers of Agent Orange to the Tanning Salon Owners of America.

He helped ensure the minimum wage did not move a penny from 1997-2007!

The worst part for me as a writer is what he does with the english language.

Though vicious he is a doltish thinker

and his spurious editorials rely on doublethink and always with the Lashon Hara.

As I studied Judaism over the years, the shame and the shanda,

grew almost too much. my heart was constantly on fire for justice. I could find no relief.

This winter I decided that the SJs were too small of a force to ever come close to

undoing a millionth of all the harm he has caused. To you and everyone you know.

Literally, if you eat food or have a job, he is reaching you.

I've always hid this terrible shame from you, the fan. The SJs have always stood autonomous and clear.

Hopefully it won't contaminate your feelings about the work.

My life has been riddled with Ibsenism. In a way I am the son of a demon come to make good the damage.

Previously I thought, through songs and poems and drawings I could find and build a refuge away from his world.

But there is the matter of Justice.

And i'll tell you it's not just a metaphor. The desire for it actually burns.

It hurts.

There needs to be something more. I'll see what that might be.


DCB


if you want to know what evil Herr Attackdog is currently up to look here:

http://www.alternet.org/workplace/120426/ad_wars:_'dr._evil'_vs._unions_

over_employee_free_choice_act/)

... reading ... LINK! ... FEBRUARY 6 ...



... submit to pinchpinch press ... LINK ...



"PinchPinchPress is charging forward into the cold heart of winter and we need your help!
Issue #3 is shaping up to be a long poem / short short prose issue.

So send us something with a little moxie. Please nothing too linear or preachy (unless it involves Snoop Dogg, the Keebler Elves, and pile of cookies).
Submissions are open until March 10th.

Also we're always looking for art. It has to be compatible with our small format and only the cover image can be in full color. And it should make us feel like we have been made love to by a very small horse."

... finds in Santa Cruz and finds this morning in Hayward (that is right Hayward!) ...

From Santa Cruz:









from Hayward:


(I am reading this book for the first time for my Gay and Lesbian Lit course and so far I am disappointed. I say this just to clarify that I was happy to find it, on sale, for the class but I am not endorsing it (at least not yet).)